They’re a Chinese cultural phenomenon which keeps millions of viewers glued to their phones, but the runaway success of “vertical dramas” is providing an unlikely source of employment for film and TV crews here in the UK. The bite-size melodramas have breathless titles such as A Flash Marriage with the Billionaire and My Firefighter ex-Husband Burns in Regret, and are chopped into one minute episodes for avid consumption on viewers’ vertically held smartphones. The UK is an increasingly popular location for these typically low-budget productions, reflecting the popularity of British…
Tag: Film
The Prosecutor review – Donnie Yen leads mashup of legal drama and action flick
Developed by China’s Supreme People’s Procuratorate and directed by butt-kicking luminary Donnie Yen, The Prosecutor is a bizarre mashup of courtroom procedural and action flick; it is just as keen on lionising due process and the “shining light” of Chinese justice as it is on reducing civic infrastructure to smithereens in several standout bouts. But Yen, who looks undeniably good in a suit, is more convincing on his habitual fisticuff grounds than the jurisprudential ones. Yen plays Fok, a one-time hotshot cop who – leaving the force after some over-zealous…
Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe
Bi Gan’s new movie in Cannes is bold and ambitious, visually amazing, trippy and woozy in its embrace of hallucination and the heightened meaning of the unreal and the dreamlike. His last film Long Day’s Journey Into Night from 2018 was an extraordinary and almost extraterrestrial experience in the cinema which challenged the audience to examine what they thought about time and memory; this doesn’t have quite that power, being effectively a portmanteau movie, some of whose sections are better than others – though it climaxes with some gasp-inducing images…
Boonie Bears: Future Reborn review – kiddie Chinese eco-fable is like Mad Max on mushrooms
When George Michael recorded Careless Whisper, there can be no doubt his ultimate ambition for it would have been to soundtrack a garish animated sequence in which two anthropomorphic bears gambol through a prairie of giant fungus experiencing ecstatic visions as hallucinogenic spores rain down on them. Such is the frantic way of this Chinese cartoon franchise, as relentless and exhausting as ever in its 11th feature-film instalment. Five minutes in, before the credits, it has crammed in a post-apocalyptic prologue, oodles of eco-babble, a time-travelling tyke and an avalanche.…
Far Beyond the Pasturelands review – on the trail of the ‘Himalayan Viagra’
Every year, thousands of Nepalese villagers make their way to the Himalayan foothills in search of a fungus called yarsagumba. Known for its aphrodisiac properties, the elusive substance sells in China for a price higher than gold. Following Lalita, a young mother among the countless trekkers, this intimate documentary from Maude Plante-Husaruk and Maxime Lacoste-Lebuis paints a stirring portrait of a community exploited by modern commerce. Living in the largely agrarian village of Maikot, a wistful Lalita thinks back on her adolescent dreams of going to university, but an early…
Yolo review – smash-hit Chinese boxing drama is a tale of personal transformation
Jia Ling writes, directs and stars in this boxing drama with a twist: there’s not really very much boxing in it. In this smash hit from China, we’re introduced to Du Leying (Jia) as a no-hoper; the perspective, in fact, of the supporting characters and the film itself is that it would be hard to imagine a bigger loser. She’s 32, lives at home, doesn’t adhere to traditional beauty norms (particularly as regards body weight), and her boyfriend is cheating on her with her best friend. When this affair is…
Knockout success of Yolo – the feelgood female boxing movie from China
In a country where cinemas are normally dominated by wolf warrior blockbusters or nationalist historical epics, the surprise hit of China’s box office in 2024 is a feelgood comedy about a woman who transforms her lacklustre life – and herself – through boxing. Released for the lunar new year holiday on 10 February, Yolo (You Only Live Once) has become the highest grossing film of the year in China, earning more than 3.4bn yuan (£375m) in less than two months, according to the China Movie Information Network. Globally, it is…
The Last Year of Darkness review – candid and intimate dive into Chinese club culture
Ben Mullinkosson is a film-maker and skateboarder from Chicago who brings an effortless, freewheeling intimacy to this immersive and sensual study of the underground club scene in Chengdu in central China. The title is enigmatic, but it seems to refer to the imminent closure of a club called Funky Town where his subjects have been hanging out; the darkness is the club’s darkness, which is enfolding and welcoming and reassuring, a neon-detailed night in which nothing matters but youth, beauty and the pleasure of the moment. Mullinkosson is utterly at…
‘Little by little, the truth is being discovered’: the archive rescuing China’s forbidden films
On the wall of an unassuming second- floor room in Newcastle University sits a map, Blu-Tacked, unframed. At first glance it looks like any other map of China. But on closer inspection, the cities labelled on the map are not just the major urban centres. They are the places that have hosted important film festivals over the years, the details of which are annotated in colour-coded text. Covering the final years of the so-called golden era of the scene, the map shows dozens of film festivals that used to be active across China. There was…
Ping Pong review – cheerful, far-fetched caper that dives into London’s 1980s Chinatown
There’s a sweet charm to Leong Po Chih’s 1986 mystery-comedy Ping Pong, set in and around the restaurant businesses of London’s Chinatown, now rereleased. It was produced by Film Four, who two years later brought out Mike Newell’s comparably set Soursweet, based on the Timothy Mo novel, although that is more serious. Ping Pong is eminently likable, though for me there is something perhaps a little soft-edged and carefully paced which dampens the energy a bit. It is a cheerfully far-fetched caper that could have taken some influence from the…