An Australian horror film featuring a scene with a same-sex wedding was reportedly digitally altered for release in mainland China, transforming the gay couple into a heterosexual one, provoking outrage from viewers who spotted the change. The critically acclaimed film Together, starring Dave Franco and Alison Brie, was released in selected cinemas in China on 12 September. It follows the journey of a young couple who move to the countryside and encounter mysterious and grotesque changes to their bodies. In one scene, which features a wedding between two men, one…
Tag: Film
Ten Years: has the hit film’s dystopian vision of Hong Kong in 2025 become a reality?
A taxi driver struggles to keep working as his native language of Cantonese is sidelined for Mandarin. Petty gangsters do the work of the authorities amid a violent debate about a national security law. Supporters of Hong Kong independence are jailed. In 2015, a scrappy group of Hong Kong film-makers imagined what their semi-autonomous city could look like under the increasing influence of the Chinese Communist party (CCP). “Any resemblance to actual events or persons is entirely coincidental,” reads the first scene in the opening credits. But decade on, many…
If your husband’s having an affair, this woman will get rid of her: the gripping film about China’s ‘mistress dispellers’
Not long into Mistress Dispeller, a quietly jaw-dropping new documentary from director Elizabeth Lo, the film’s eponymous character lays out her thesis for ridding marriages of troublesome extra lovers. “When someone becomes a mistress,” she says, “it’s because they feel they don’t deserve complete love. She’s the one who needs our help the most.” Wang Zhenxi, a mistress dispeller based in north-central China’s Henan province, is one of a growing number of self-styled professionals who earn a living by intervening in people’s marriages – to “dispel” them of intruders. “I…
Mistress Dispeller review – goodness and vulnerability shine through in candid love triangle doc
An early-middle-aged woman with a bright smile and a nonthreateningly frumpy dress sense, Wang Zhenxi has an extremely specific set of skills. Part therapist, part spy, part master strategist, she helps spouses expunge pesky mistresses and lovers from their partners’ lives, hopefully restoring monogamous harmony in the process. She’s called a mistress dispeller, which sounds very awkward in English and yet that’s a perfectly apt description for the cleansing process that Ms Wang performs. Somehow, director Elizabeth Lo – who must have some killer persuasive skills of her own –…
Dongji Rescue review – epic tale of British PoWs saved by Chinese fishers gets blockbuster treatment
The sinking of the Lisbon Maru, an extraordinary second world war story in which 384 British PoWs were saved from a bombed Japanese cargo liner by Chinese fishers, has recently been excavated in an exhaustive, emotional documentary. In Dongji Rescue, co-directed by Zhenxiang Fei and Guan Hu, this staggering tale gets a blockbuster makeover that involves Imax cameras and an $80m budget. The film opens with the stunning vista of the eponymous island, then under Japanese control. The seeds of discontent are there, as the local Chinese population are forbidden…
‘A new space to play in’: can vertical dramas save the UK’s TV sector?
They’re a Chinese cultural phenomenon which keeps millions of viewers glued to their phones, but the runaway success of “vertical dramas” is providing an unlikely source of employment for film and TV crews here in the UK. The bite-size melodramas have breathless titles such as A Flash Marriage with the Billionaire and My Firefighter ex-Husband Burns in Regret, and are chopped into one minute episodes for avid consumption on viewers’ vertically held smartphones. The UK is an increasingly popular location for these typically low-budget productions, reflecting the popularity of British…
The Prosecutor review – Donnie Yen leads mashup of legal drama and action flick
Developed by China’s Supreme People’s Procuratorate and directed by butt-kicking luminary Donnie Yen, The Prosecutor is a bizarre mashup of courtroom procedural and action flick; it is just as keen on lionising due process and the “shining light” of Chinese justice as it is on reducing civic infrastructure to smithereens in several standout bouts. But Yen, who looks undeniably good in a suit, is more convincing on his habitual fisticuff grounds than the jurisprudential ones. Yen plays Fok, a one-time hotshot cop who – leaving the force after some over-zealous…
Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe
Bi Gan’s new movie in Cannes is bold and ambitious, visually amazing, trippy and woozy in its embrace of hallucination and the heightened meaning of the unreal and the dreamlike. His last film Long Day’s Journey Into Night from 2018 was an extraordinary and almost extraterrestrial experience in the cinema which challenged the audience to examine what they thought about time and memory; this doesn’t have quite that power, being effectively a portmanteau movie, some of whose sections are better than others – though it climaxes with some gasp-inducing images…
Boonie Bears: Future Reborn review – kiddie Chinese eco-fable is like Mad Max on mushrooms
When George Michael recorded Careless Whisper, there can be no doubt his ultimate ambition for it would have been to soundtrack a garish animated sequence in which two anthropomorphic bears gambol through a prairie of giant fungus experiencing ecstatic visions as hallucinogenic spores rain down on them. Such is the frantic way of this Chinese cartoon franchise, as relentless and exhausting as ever in its 11th feature-film instalment. Five minutes in, before the credits, it has crammed in a post-apocalyptic prologue, oodles of eco-babble, a time-travelling tyke and an avalanche.…
Far Beyond the Pasturelands review – on the trail of the ‘Himalayan Viagra’
Every year, thousands of Nepalese villagers make their way to the Himalayan foothills in search of a fungus called yarsagumba. Known for its aphrodisiac properties, the elusive substance sells in China for a price higher than gold. Following Lalita, a young mother among the countless trekkers, this intimate documentary from Maude Plante-Husaruk and Maxime Lacoste-Lebuis paints a stirring portrait of a community exploited by modern commerce. Living in the largely agrarian village of Maikot, a wistful Lalita thinks back on her adolescent dreams of going to university, but an early…